Showing posts with label sony. Show all posts
Showing posts with label sony. Show all posts

Wednesday, August 12, 2020

Sony Exmor IMX219

  • Sony Exmor IMX219 Sensor Capable of 4K30 1080P60 720P180 8MP Still
  • 3280 (H) x 2464 (V) Active Pixel Count
  • Maximum of 1080P30 and 8MP Stills in Raspberry Pi Board
  • 2A Power Supply Highly Recommended


The specs on the camera is amazing, and it takes decent pictures. 

The fov field of view is rather limited.  Angle of View: 62.2 x 48.8 degrees

But the aperture is so small it's practically a pinhole camera which can make this useful for a number of applications. 





Wednesday, December 17, 2014

Sony Leaks Reveal Hollywood Is Trying To Break DNS


Sony Leaks Reveal Hollywood Is Trying To Break DNS

from the scorched-net-policy dept.
schwit1 sends this report from The Verge:Most anti-piracy tools take one of two paths: they either target the server that's sharing the files (pulling videos off YouTube or taking down sites like The Pirate Bay) or they make it harder to find (delisting offshore sites that share infringing content). But leaked documents reveal a frightening line of attack that's currently being considered by the MPAA: What if you simply erased any record that the site was there in the first place? To do that, the MPAA's lawyers would target the Domain Name System that directs traffic across the internet.

The tactic was first proposed as part of the Stop Online Piracy Act (SOPA) in 2011, but three years after the law failed in Congress, the MPAA has been looking for legal justification for the practice in existing law and working with ISPs like Comcast to examine how a system might work technically. If a takedown notice could blacklist a site from every available DNS provider, the URL would be effectively erased from the internet. No one's ever tried to issue a takedown notice like that, but this latest memo suggests the MPAA is looking into it as a potentially powerful new tool in the fight against piracy.

Saturday, December 13, 2014

Leaked Emails Reveal MPAA Plans To Pay Elected Officials To Attack Google

https://www.techdirt.com/articles/20141212/12142629419/leaked-emails-reveal-mpaa-plans-to-pay-elected-officials-to-attack-google.shtml


from the holy-fuck dept

Okay, it's no secret that the MPAA hates Google. It doesn't take a psychology expert to figure that out. But in the last few days, some of the leaks from the Sony Pictures hack have revealed the depths of that hatred, raising serious questions about how the MPAA abuses the legal process in corrupt and dangerous ways. The most serious charge -- unfortunately completely buried by this report at The Verge -- is that it appears the MPAA and the major Hollywood studios directly funded various state Attorneys General in their efforts to attack and shame Google. Think about that for a second.

There's a lot of background here that's important (beyond just the MPAA really hates Google). First, as you know, the MPAA has certainly not given up on its SOPA desire to get certain websites completely blocked. The leaked emails reveal a lot more about that (which we'll get to). Second, a year ago, the MPAA hired a pitbull of an anti-piracy lawyer in naming Steve Fabrizio its General Counsel. Fabrizio has spent the last decade and a half or so deeply involved in litigating a bunch of anti-piracy battles at both the RIAA and the MPAA/RIAA's favorite big law firm, Jenner & Block. This is not a guy you hire if you're looking to innovate. This is a guy you hire if you want to get into knock-down, dirty legal fights.

Third, there is the role of state Attorneys General. A recent NY Times article detailed how lobbyists have figured out ways to effectively "lobby" state Attorneys General to do their bidding. Frequently, this is around getting the state AGs to drop investigations (and potential lawsuits) against companies. The article is somewhat eye-opening, as it's hard to distinguish much of what's discussed from straight up bribery. There is talk of lavish events, travel and dinners all paid for by corporate lobbyists for state AGs, often followed soon after with dropped, or reduced investigations. In one case, an AG told staff not to start an investigation into a public company without first getting his approval. Campaign funding is a big part of it as well, as these lobbyists dump lots of money into AG campaigns. And it's no secret that the state Attorney General position is often seen as a stepping stone to a Governorship or US Senate job.

We've discussed in the past that state Attorneys General are often the biggest grandstanders, as their main goal in certain investigations seems to be about generating headlines for themselves, rather than any real legal basis. More than four years ago, we wrote about Topix CEO Chris Tolles' experience being hounded by state Attorneys' General so they could get a bunch of headlines out of something in which everyone admitted Topix wasn't actually doing anything illegal. Along those lines, we've noted that popular tech companies have increasingly been a target for state AGs -- because they're almost sure to generate headlines. We've also noted that state AGs have been pushing for changes to federal laws, like Section 230 of the CDA, to allow them to further go after big tech companies for things like actions of their users.

Not surprisingly, Google has been a popular target for some state AGs. In the past, we've written about state Attorneys General from Nebraska and Oklahoma blaming Google for videos made by users, and about Texas' Attorney General going after Google for supposed antitrust violations(based on the same claims that the FTC later dropped entirely). But the state Attorney General with the biggest chip on his shoulder for Google has absolutely been Mississippi Attorney General Jim Hood, who seemed to think that it was Google's fault that he could find counterfeit goods via search. A few months later, he was back blaming Google for infringement online as well.

This was no accident. What's come out of the Sony Pictures Leak is not just that the MPAA was buddying up to state Attorneys General, but that the MPAA was funding some of this activity and actively supporting the investigation. The leaked emails reveal that rather than seeing that NY Times article about corporate/AG corruption as a warning sign, the MPAA viewed it as a playbook. But not for preventing investigations but for encouraging and funding them. This appears to goway beyond that NY Times article. This isn't campaign donations or inviting AGs to speak at lavish events and paying for the travel. This is flat out paying AGs to investigate Google (even on issues unrelated to copyright infringement) and then promising to get extra press attention to those articles.

Here's the Verge's summary of a key email (which the Verge doesn't even seem to realize why it's so damning):
May 8, 2014: Fabrizio to group. "We’ve had success to date in motivating the AGs; however as they approach the CID phase, the AGs will need greater levels of legal support." He outlines two options, ranging from $585,000 to $1.175 million, which includes legal support for AGs (through Jenner) and optional investigation and analysis of ("ammunition / evidence against") Goliath. Both options include at least $85,000 for communication (e.g. "Respond to / rebut Goliath's public advocacy, amplify negative Goliath news, [and] seed media stories based on investigation and AG actions.").
"Goliath" is the MPAA's rather transparent "codename" for Google. CID stands for a "civil investigative demand" -- which is a form of an administrative subpoena, demanding information from a company, related to an investigation.

What seems to come out from these emails is that the MPAA, in coordination with the major Hollywood studios, agreed to willfully pay tons of money indirectly to state AGs (and Hood in particular) to get them to investigate Google (using the time and labor of the MPAA's favorite law firm -- and the one that Fabrizio just left). That goes way beyond anything discussed in that NY Times articles, and certainly smacks of serious illegality. It's difficult to see how this isn't bribing a public official to attack a company they dislike.

Not only that, but it shows that the MPAA and the studios were aware of Hood's plans well before they happened, suggesting that he or his office has been coordinating with Hollywood on their plans and that the specific CIDs are actually written by the MPAA's lawyers themselves:
A report from the previous February suggests that the Goliath group drafted civil investigative demands (similar to a subpoena) to be issued by the attorneys general. "Some subset of AGs (3-5, but Hood alone if necessary) should move toward issuing CIDs before mid-May," the email says.
And, more recent emails (from just in October) show that they know that another CID is apparently coming and that the MPAA intends to use that CID for negotiating leverage against Google. This follows a claim that Google was pissed off at the MPAA for mocking its recent search algorithm changes to further push down sites that may link to infringing materials (it's not like we didn't warn everyone that the MPAA wouldn't be satisfied with Google's changes). Either way, the MPAA's Fabrizio brushes off concerns that Google has, telling the studios not to worry, that Google should be more willing to talk after Hood sends out his next CID:
After a dispute over Google’s most recent anti-piracy measures in October, Fabrizio suggested further action may be yet to come. "We believe Google is overreacting — and dramatically so. Their reaction seems tactical (or childish)," the email reads. "Following the issuance of the CID [civil investigative demand] by [Mississippi attorney general Jim] Hood (which may create yet another uproar by Google), we may be in a position for more serious discussions with Google."
While the Verge report is focused on the "sexy" topic of the MPAA having an "anti-Google' (er... "Goliath") working group, the real story here is that it appears that this infatuation with taking down Google has extended to funding state politicians in their investigations and attacks on Google, even when it's on totally unrelated issues (the initial CID was about counterfeit drugs -- which is an issue that the MPAA likes to mock Google over by totally misrepresenting some actual, but historical, bad behavior).

And beyond that, the MPAA is showing that part of its plan is to fund "media stories based on" the Attorneys General investigations. Remember, so much AG activity these days is driven by what's going to get them into the headlines. Setting aside nearly $100,000 from the MPAA to get a state AG some headlines for an investigation paid for by the MPAA, using administrative subpoenas written by the MPAA... all designed to attack a company they don't like (which actually has done pretty much exactly what they'd been asking for in downranking sites that lead to infringing works), is really stunning.

I get that it's natural to dislike a company or organization that has undermined your business model. It happens. But there are different ways to respond to it. One is to innovate and compete. Another is to use the legal process to throw hurdles in their path. This is the distinction between "market entrepreneurs" and "political entrepreneurs" that Andy Kessler has described. What the MPAA appears to have done in the last few months, however, certainly suggests that the organization, with the help of the major studios, went beyond just lobbying and political pressure, to actually funding elected officials to try to attack a company they didn't like. And, at the very least, this also has to raise serious questions about Mississippi Attorney General Jim Hood and who he takes orders from. Is he really "protecting" the people of Mississippi? Or is he focused on gobbling up Hollywood's money and promotion?

Monday, November 24, 2014

Sony Promotes 4K Resolution for Security Applications

Sony publishes Youtube video showing 4K technology for security cameras:



Another Sony video demos 5-axis optical image stabilization operation in Alpha 7-II DSLR, said to be the first in a full-frame camera.

Sunday, June 08, 2014

Sony shows (and tells) us why 4K on a phone isn't crazy

http://www.engadget.com/2014/03/21/sony-xperia-z2-4k/

Looks like 4K cell phone cameras are here, but I have not found anyone making a cell phone 4K display yet.

This is something the VR world needs like the Oculus Rift and Samsung an other face mounted screens based HMD's.




Monday, March 31, 2014

Sony's 13-inch Digital Paper is the first device to use a flexible e-ink display

http://www.extremetech.com/computing/179386-sonys-13-inch-digital-paper-is-the-first-device-to-use-a-flexible-e-ink-display

After almost a year of agonizing posturing by Sony, the semi-flexible 13.3-inch Digital Paper has finally been unveiled. For $1100, you can get your hands on the thinnest, lightest A4-sized e-ink tablet. The Digital Paper supports stylus input, has built-in WiFi, and lasts up to three weeks on a single charge. The key technology here is the new Mobius display from E Ink, which is very light and highly flexible — though it isn’t clear how much of that flexibility made it into the final Digital Paper product.
When it comes to displays, the problem — as far as weight and flexibility are concerned — has always been the substrate. The liquid crystals, the organic diodes, the capsules of ink, the transistors, the wiring — all of the key display stuff is already light and flexible. But you have to build all of that stuff on something heat-resistant and transparent —  i.e. glass. Glass is heavy (especially at larger sizes), and it’s very brittle (especially when it’s thin, which is necessitated by weight constraints). Glass is a terrible display substrate, basically, but sadly there hasn't been another option. Until now.
In the last few years, thanks to the development of new materials and low-temperature manufacturing techniques, it’s now possible to build displays with plastic substrates. These plastic displays are cheaper, lighter, and flexible (and thus more resistant to certain kinds of damage, too). Enter E Ink Mobius, which is basically the same e-ink tech as Pearl or Carta (found in various Kindles and other e-book readers), but on a flexible substrate. The E Ink website says that the Mobius display is 13.3 inches on the diagonal (i.e. the size of a piece of A4 or letter paper), with a resolution of 1600×1200 and the ability to show 16 levels of grayscale.
Sony's Digital Paper, with stylus
Sony’s Digital Paper, with stylus
When we first saw the technology back in May 2013, Sony helpfully had some of the Mobius displays outside of their chassis, so that you could marvel at their flexibility. Unfortunately, for the commercialized version of Digital Paper, there is once again a plastic bezel around the outside of the display. The Digital Paper website says nothing about flexibility, but in the video you can see some Digital Paper prototypes that appear to be at least semi-flexible, or not entirely rigid. In all likelihood, Digital Paper will probably flex a lot more than your iPad, and it will probably survive if you sit on it, or drop a book on it — but you can’t roll it up. That’s the next step, when we commercialize flexible batteries and circuitry.
At $1100 (shipping in May), Digital Paper is being pitched at education, business, and legal environments. Digital Paper appears to only support PDFs, but the website implies that software is included to convert Word, Excel, and PowerPoint files to PDF format. Stylus input appears to be accurate and high-resolution, though e-ink’s refresh latency might cause you some mental discomfort. 4GB of internal storage and a micro SD slot should give you plenty of space for annotating textbooks and documents. At just 357 grams (12.6 ounces), Digital Paper is by far the lightest large-screen tablet on the market, too (the iPad Air is a chunky 469 grams). Hopefully this is the beginning of an exciting, flexible-and-light-weight computing revolution!

Saturday, April 07, 2012

Sony RayModeler 360 Autusteroscopic Display Prototype

Autostereoscopic Display
The RayModeler 3D display 

 LED light sources allow you to see an image from all angles, 360 degrees. Objects like faces and people appear realistic giving viewers a sense of depth because the left and right eyes are seeing different images. I saw a demo of the display recently at the Sony offices and looking at moving 3D holographic images was almost like looking into a crystal ball! You’ll notice in the video the images even react and move when prompted by the wave of a hand. Though the device can’t let you see into the future, it is the future of how we will display objects, game or even see advertisements or displays at stores.




http://blog.sony.com/sony-prototype-360%C2%B0-3d-display
http://blog.sony.com/raymodeler-3d-prototype-will-be-showcased-at-siggraph
http://www.youtube.com/watch?v=6BFKC-NKRFw

http://en.wikipedia.org/wiki/Volumetric_display

Thursday, September 01, 2011

HMZ-T1: Sony unveils world's first 3D head-mounted display that is as immersive as 'sitting in a cinema' | Mail Online



Price = 60000 Japanese yen = 780 US dollars

It is equipped with two 0.7in high definition organic light emitting diode (OLED) panels and 5.1 channel dynamic audio headphone.

The gadget enables the wearer to experience cinema-like viewing, equivalent to watching a 750-inch screen from 20 metres away,

There is no mention of the screen's resolutions or what interfaces and formats it will accept.


http://www.dailymail.co.uk/sciencetech/article-2032130/HMZ-T1-Sony-unveils-worlds-3D-head-mounted-display-immersive-sitting-cinema.html

http://www.techworld.com.au/article/399365/sony_sell_3d_head-mounted_display/


From Slashdot: Sony To Sell 3D Head-Mounted Display "Sony says it will start selling a head mounted display that provides a 3D theater for music videos, movies and games, targeting people who prefer solitary entertainment rather than sitting in front of a TV with family or friends. Sony Corp said on Wednesday that the 60,000 yen ($A730) 'HMZ personal 3D viewer' is set to go on sale on November 11 in Japan, and is planned for the US and Europe, perhaps in time for Christmas, although dates have not yet been set. HMZ uses Sony's own OLED screen"

Tuesday, August 30, 2011

AR tool lets you bring home a virtual Sony Bravia



Augmented Reality' from Sony helps you choose the perfect TV by allowing you to see how it would look in your home without ever having to set foot outside. Forget tape measures, gut feelings and guess work. This TV size-guide from Sony will show you how various TVs will look in different parts of your home. Just follow four easy steps and all is revealed. You might find that you can have a larger TV than you thought as televisions are sleeker and more compact today. Try 'Augmented Reality' software from Sony now and see what your future TV viewing could look like.

http://www.sony.co.uk/article/tv-size-guide


Sony has joined Panasonic and Toshiba in releasing an augmented-reality tool that lets users "visualize" the panels in their homes. As with its competitors' systems, a marker has to be printed and positioned accordingly, though Sony is taking a different approach to displaying the superimposed TV.

Rather than showing the AR image on a smartphone's screen, a photo of the surrounding space has to be uploaded to a Web site, which will prompt the users for the Bravia TV's model and render the composite picture. Watch the video above to get a better idea of the whole process.

Friday, January 08, 2010

Slashdot: Hot Or Not — 3D TV

From Slashdot

Hot Or Not — 3D TV
Several sources have written to tell us that in terms of hype at this year's CES show, there is none bigger than that surrounding 3D TV. Sony, Panasonic, Samsung, LG, and Toshiba all have their own flavors of hardware and ESPN announced a 3D sports channel, but Microsoft seems to be bucking the trend with their apparent lack of 3D interest surrounding the Xbox product.
 
"We're yet to see any major brand at CES pushing a 3D TV that doesn't require them. In most cases these aren't the basic Ray Ban style you might have worn to watch Avatar. In many cases they'll actually require power. For example, Sony's 3D TVs use a 'frame sequential' display method, which involves active-shutter glasses that turn on and off in sync with the images. Some TVs come with the glasses and have the transmitter built in, but again, in some cases you'll need to buy the transmitter and glasses separately."

Wednesday, November 11, 2009

Movies to ship on USB Sticks.

Movies to ship on USB Sticks.
By John L. Sokol

I just ran a across and add for movies included on USB sticks from Fry's electronics. Actually a friend Will who I was having coffee with that morning pointed it out, "Hey John, check this out! 4 Gig for $9.99, not a bad deal, but Sony is including movies with that!" The grainy new paper photo of the packaging really didn't do it justice.

(sorry for the poor image quality, all I had was my cell phone to capture the image with)

The Sony memory stick I have here with me now has The Da Vinci Code on it.


The real irony is later that day I ended up spending 5 hours at that company that developed that technology behind those Sony sticks.

Mo-DV located in Cupertino, CA. was first pointed out at great insistence to me by my friend and trusted music industry expert Leveious Rolando. For years I have kept asking myself why isn't the music and film industry putting their content on silicon. I started thinking about this back in 99 and later I even wrote a paper on and gave talks at number of big companies about the subject.

I think flash is really the only sensible way to go in the long run.  In the end no matter how much resistance the industry gives it will almost surely have to end up doing it this way. Flash is more robust, and more reliable then CD's and the companys like SanDisk and Kingson are already leading the charge. Flash is reusable, it's Green, it's smaller and more convenient and best of all it has all the flexibility of a proper electronic medium. Imagine netflix shipping flash memory rather then CD's, how much easier and simpler. How much less physical inventory they would have to manage, and the reduced logistics alone! Picture kiosks at the supermarket where you could copy a movie over the your USB stick to play when you get home. It's almost like those reusable cloth shopping bags. Blockbuster would vanish overnight! It's somewhere between bit and atoms. It provides the hybridized best of both media something you can hold in your hand, something tangible and yet just as flexible as an Internet media technologies.
I know many DRM schemes have been proposed for Flash memory, but until this product came along, the industry just would never allow it to happen, at least legally *Cough*

Well Mo-DV is responsible for the DRM, encryption and copyright protection that finally got a major Hollywood studios to wake up and finally do something.

The first customer is always the hardest and to land such a large customer such a Sony is a real surprise, and this time it looks like things are finally going to happen. Seems Paramount also just came online too.
I am also told there is already several other big studios doing deals to release movies in this format also. Fortunately there hasn't started a Flash Memory Stick Format war yet. It always seems there is, between records and 8-tracks, cassettes, and finally CD. With video between Beta and VHS finally ending in a smooth transition to DVD.
With Moores Law, Blue Ray or any atoms (physical) based medium just doesn't stand a chance against flash memory. Flash chips communicate purely electronically allowing a near infinite advancement and changes to the storage medium without requiring changes to the player hardware. With time, because of Moore's Law, the flash costs will drop so much lower then DVD's for both the media and players, that nothing else could possibly complete. Even if they tried, it would most likely end up as a USB attached storage device.

Also with the SSD (solid state disk) technology taking off, this will really push the price of flash down as it seems rotating disks will soon be as obsolete as paper tape or floppy disks. 


Mo-DV, short for Mobile Digital Video, has a patented technology that offered enough DRM protection to change things. Now that several Hollywood studios are finally conformable with releasing movies in an all digital silicon format everything changes.

First there is the huge mobile phone market with already 3 billion phones having flash memory card slots  The spectrum shortage and expense of cell phone wireless bandwidth for streaming and downloading make flash memory an economical and viable alternative delivery mechanism for video.

In the home consumer electronics market equipment manufactures can include at a much lower cost then a DVD or BlueRay player an integrated USB movie player. The total additional cost for the manufacturer is $0 to $15 depending on if they already have an on board DSP and USB connector. A number of manufactures already have USB supported on there equipment in anticipation of such formats arriving.

A number of Flat Screen TV's already support playing movies from USB, but it seems to be intended for home movies. Today anyone using it to watch a Hollywood movie is technically doing so illegally and would be considered a pirate. Well now with the Mo-DV technology and a software update, they will be able to legally play early run movie shipped over the Internet or sold on store shelves in USB and SD card formats. Most Digital Cable boxes already include an a USB port also, they just don't appear to be enabled, but it's clear they should be able to play the new USB stick format with little more then a software update.

Even some car stereos now have USB and the ability to play MP3 off a Memory stick. Well studios should be able to sell DRM protected music on USB thumb drives rather then being tied to a specific player like your IPod or Zune. Mo-DV's technology could work across anything using flash memory. Currently they are targeting the mobile phone industry, but personally I think it's really the flexibility to play across all devices with USB or SD, from cell phones, PDA, netbooks, laptops and desktop machines that really changes the game.



Links:
Mo-DV

Paramount, Kingston Puts Transformers 2 on USB

Sony Micro Vault Click with The Da Vinci Code  Sony Model number: USM4GL/DVC

Xbox 360 getting Star Trek, Transformers 2 USB movie bundles