Thursday, February 21, 2013
MIT researchers build ultrahigh-definition Quad HD (4K) TV chip
Friday, February 15, 2013
Wednesday, February 13, 2013
Thursday, February 07, 2013
Fwd: U.S. judge rejects 13 Google-Motorola patent claims against Microsoft | ZDNet
From: JM
Patents relate to video encoding/decoding.
Saturday, February 02, 2013
Friday, February 01, 2013
Streaming video latency on GoPro Hero3 Black.
Thursday, January 31, 2013
Thursday, January 24, 2013
Tuesday, January 22, 2013
Fwd: 3D CineCast
From: "3D CineCast" <olivier.amato@itbroadcastanddigitalcinema.com>
Date: Jan 22, 2013 4:10 AM
Subject: 3D CineCast
To: <john.sokol@gmail.com>
3D CineCast |
| Trifocal Camera Readied for Live 3D Posted: 22 Jan 2013 12:40 AM PST The days of stereo 3D mirror rigs could be numbered if new technology being devised by Arri, the Fraunhofer Institute and Walt Disney Studios comes to fruition. The trio of companies have just begun a second phase of tests in Berlin on a trifocal camera system that comprises a single Arri M camera sandwiched between two micro HD cameras developed by Fraunhofer, alongside a computer processor. The dual witness cameras capture enough information on set to be combined into depth maps by Fraunhofer's STAN Stereoscopic Analyzer software (which features in the DVS Clipster post tool), for the post production of live action content in 3D. The concept would negate the need for cumbersome 3D camera rigs, allow an on-set 3D workflow similar to 2D, and in theory help produce 3D content without the glitches inherent in lens misalignment. Disparity-estimation techniques based on the three captured images should allow a second-eye view to be rendered at a virtual interaxial distance that is defined in post. "If successful we will go into a third test in April this year and if that is successful it will be used on a major film production," revealed Kathleen Schroeter, executive manager 3D Innovation Centre, Berlin Fraunhofer Institute. She said this was currently planned to be a 20-minute short film or a 20-minute sequence within a longer feature, both produced by Disney. "The current trifocal system is for post production, but the next step is to render the data in real time so that we can produce live broadcast programming without rigs," she added. Curiously the initiative has come from Disney in Hollywood, rather than Disney's own research institute in Zurich, which is also exploring ways of creating 3D content using plenoptic lenses and computational cinematography. By Adrian Pennington, TVB Europe |
| You are subscribed to email updates from 3D CineCast To stop receiving these emails, you may unsubscribe now. | Email delivery powered by Google |
| Google Inc., 20 West Kinzie, Chicago IL USA 60610 | |
Monday, January 21, 2013
Friday, January 18, 2013
Thursday, January 17, 2013
Fwd: USB video conference camera makes video conference simple than ever
From: "marketing@multipixhdtv.com" <marketing@multipixhdtv.com>
Date: Jan 17, 2013 6:25 PM
Subject: USB video conference camera makes video conference simple than ever
To: <john.sokol@gmail.com>
Model No. MP-USB 100
Tuesday, January 15, 2013
Monday, January 14, 2013
Saturday, January 12, 2013
Vuzix Debuts the M100, an Android Powered Monocular Display - CES 2013
Price: Under $500
Features: Compatible with Android and iOS, 1080p camera to capture video, onboard processor running android, WiFi and Bluetooth enabled
Re: Please can you give me some advice
---------- Forwarded message ----------
From: W.E.
Date: Jan 12, 2013 5:59 AM
Subject: Please can you give me some advice
To: <john.sokol@gmail.com>
Hell
I wonder if you can help.
I am trying to figure out what is the highest definition i can get from a video camera with a smallest lens.
Can you enlighten me on this at all.
Thank you.
Regards
william
Friday, January 11, 2013
Fwd: Telibrahma press release
From: "Rita Tennyson" <rita@pulppr.com>
Date: Jan 10, 2013 10:56 AM
Subject: Telibrahma press release
To: <john.sokol@gmail.com>
John:
Point Brings Augmented Reality to Your Television Screen
Telibrahma's Point debuts as first Augmented Reality Second-Screen Experience
January 8, 2013, CES/Las Vegas, Eureka Park #74112 - Telibrahma (www.telibrahma.com), the award-winning leader in
global mobile marketing technology, is breaking the mold by debuting a revolutionary
second-screen experience with Point, their image recognition technology that can
capture point-enabled videos and provide an interactive experience for viewers.
Using Point, consumers can enjoy instant engagement across any mobile device by
simply pointing their phone at a Point-enabled video, movie, commercial or television
program and gain instant access to an augmented experience.
"Point provides a Shazam-like experience for consumers that takes them to the next
level of engagement, and we're thrilled to offer this exciting technology to users," said
Suresh Narasimha, CEO and Founder of Telibrahma.
Point is a 360-degree solution for consumer engagement and provides an innovative
way for brands to communicate with their audience.
In addition to point-enabled videos, Point also works with print ads, editorial content,
brand logos, newspapers, magazines and websites to create "real world" experiences
for consumers on their mobile devices.
Download Point from your mobile device at: www.PointArt.mobi
For more information on Telibrahma visit: www.telibrahma.com.
About Point
Point, the world's lightest and fastest Augmented Reality, is a visual recognition augmented reality
platform that helps brands engage with consumers by creating "real-world" experiences of products. By
scanning a product or service with their smartphone camera, consumers can gain instant access to
search results that are enhanced by 3D and 2D camera overlays, video overlays, facial recognition and
contextual results. Point allows brands to go beyond the QR code by working with any ad, editorial, brand
logo, newspaper, magazine, website, place or video.
About Telibrahma
Telibrahma is an Intel-funded company that focuses on consumer engagement through augmented reality
advertising. With Point, the company's new augmented reality platform, Telibrahma helps brands create
"real-life" experiences for consumers, increases engagement and produces higher ROI. Working with
brands like Dove, Nokia, Nike and Toyota, Telibrahma is a leader in contextual mobile solutions.
Telibrahma was established in 2008 and has offices in New York and India. For more information, please
visit the website at www.telibrahma.com.
Monday, January 07, 2013
Sunday, January 06, 2013
Thursday, January 03, 2013
Fwd: [CES] Augmented TV (Intel-backed)
From: "Rita" <lin@pulppr.com>
Date: Jan 3, 2013 8:58 AM
Subject: [CES] Augmented TV (Intel-backed)
To: <john.sokol@gmail.com>
Dear John,
iPhone, Android, Blackberry, Nokia and Windows
Company Leadership
Suresh Narasimha, CEO and Founder
Narasimha has over 15 years of experience in entrepreneurship, product creation, mobile innovation and advertising. He has raised several rounds of funding for TELiBrahma while growing employment and earning profit at the same time.
Prior to founding TELiBrahma, Narasimha was the Practice Head of Convergence at Reasoft Inc., where he defined products and solutions while leading convergence and managing delivery organization. Narasimha also worked as a Senior software engineer at Siemens Information Systems Ltd. He has lead mobile advertising efforts at several companies including Nike, HSBC and Mercedes Benz.
Narasimha received his GSM Management degree at ICFAI and a degree at PES Institute of Technology.
Telibrahma is an Intel-funded company that focuses on consumer engagement through augmented reality advertising. Since 2008, TELiBrahma has worked with the advertising, media and retail industries to create innovative ad campaigns that allow consumers to go beyond a print ad to the next level of engagement.
With Point 1.0, the company's new augmented reality advertising platform, Telibrahma creates "real-life" experiences for consumers, increases engagement and produces higher ROI for brands. Working with brands like Dove, Nokia, Nike and Toyota, Telibrahma is a leader in contextual mobile solutions. Telibrahma was established in 2008 and has offices in New York and India. For more information, please visit the website at www.telibrahma.com.
Tuesday, January 01, 2013
Saturday, December 29, 2012
Fwd: 3D CineCast
From: "3D CineCast" <olivier.amato@itbroadcastanddigitalcinema.com>
Date: Dec 29, 2012 4:04 AM
Subject: 3D CineCast
To: <john.sokol@gmail.com>
3D CineCast |
| Google's New VP9 Video Technology Reaches Public View Posted: 29 Dec 2012 01:05 AM PST VP9, the successor to Google's VP8 video compression technology at the center of a techno-political controversy, has made its first appearance outside Google's walls. Google has built VP9 support into Chrome, though only in an early-stage version of the browser for developers. In another change, it also added support for the new Opus audio compression technology that's got the potential to improve voice communications and music streaming on the Internet. VP9 and Opus are codecs, technology used to encode streams of data into compressed form then decode them later, enabling efficient use of limited network or storage capacity. Peter Beverloo, a developer on Google's Chrome team, pointed out the new codec support in a blog post earlier this month. Releasing VP9 gives Google a chance to improve the video-streaming performance and improve other aspects of VP8. That's important in competing with today's prevailing video compression technology, H.264, and with a successor called H.265 or HEVC that also has the potential to be attract broad support across the electronics and computing industry with better compression performance. Codecs might seem an uninteresting nuts-and-bolts aspect of computing, but they actually ignite fierce debates that pit those who like H.264's convenience and quality against those who like that Google offers VP for free use. H.264 is used in videocameras, Blu-Ray discs, YouTube, and more. But most organizations using it must pay patent royalties to a group called MPEG LA that licenses H.264-related patents on behalf of their many owners. Google has tried to spur adoption of VP8 instead, which it's released for royalty-free use. One major area: online video built into Web pages through the HTML5 standard. However, VP8 hasn't dented H.264's dominance, and VP8 allies failed in an attempt to specify VP8 as the way to handle online video. As a result, HTML5 video can be invoked in a standard way, but Web developers can't easily be assured that a browser can properly decode the video in question. Internet Explorer and Safari support H.264 video, Firefox and Opera support VP8 video, and Chrome supports both codecs. Google had tried to encourage VP8 adoption by pledging in 2011 to remove H.264 support from Chrome, but it reversed course and left the support in. Mozilla, several of whose members were bitter about Google's reversal, has since begun adapting Firefox so it can use H.264 when the operating system supports it. Windows 7 and 8, Apple's OS X and iOS, and Google's Android all have H.264 support built in. One cloud that's hung over VP8 is the possibility that others besides Google would demand royalty payments for patented technology it uses. Indeed, MPEG LA requested such organizations come forth as it considered adding VP8 licensing program, and it said last year that 12 organizations have said they have patents essential to VP8 use. But it's been nearly two years since MPEG LA issued started seeking VP8-related patents, and the organization still hasn't offered a license. The VP8 and VP9 codecs have their origins at On2 Technologies, a company Google acquired for $123 million. Google and assorted allies combined VP8 with the freely usable Vorbis audio codec to form a streaming-video technology called WebM. By Stephen Shankland, CNET |
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| Google Inc., 20 West Kinzie, Chicago IL USA 60610 | |
Friday, December 28, 2012
Tuesday, December 11, 2012
Thursday, December 06, 2012
Fwd: Revolve Robotics' debut robotic telepresence iPad stand Kubi is NOW LIVE on Indiegogo!
Begin forwarded message:
From: Marcus Rosenthal <marcus@revolverobotics.com>
Date: December 6, 2012, 5:03:47 AM PST
To: undisclosed-recipients:;
Subject: Revolve Robotics' debut robotic telepresence iPad stand Kubi is NOW LIVE on Indiegogo!
Hi friends,We're excited to announce that our Kubi project is now live on Indiegogo!Kubi is the easy-to-use robotic platform we designed to enhance the video calling experience and other telepresence applications on tablets like the iPad. A web-controlled, robotic iPad stand, Kubi means "neck" in Japanese and lets you look around and interact with remote environments during video calls. We have created intuitive controls that operate effortlessly with Skype, FaceTime and other video calling applications so you can control your Kubi from across the globe, elevating video calls to a more natural, interactive experience.Kubis are available for pre-order through our Indiegogo project from December 6 until January 16. Visit our project page and watch a video of Kubi in action, learn more about our product design, development and company!For those of you who have been waiting, we have a limited release of Kubis available for pre-order with a special early bird offer of $199 ($50 discount!).We are so grateful for all your support during development stages and are thrilled for the opportunity to take Kubi from prototype to product in your home and beyond!Please help spread the word by sharing with your friends and colleagues.Indiegogo: www.indiegogo.com/kubiFacebook: facebook.com/revolveroboticsTwitter: twitter.com/revolveroboticsThanks you for your support,
Wednesday, December 05, 2012
Drivers file lawsuit over NYC red-light cameras - WSJ.com
It is worth noting similar cases have been brought on the West Coast. It had been blogged here.
http://online.wsj.com/article/AP1431c98f812642ea9bc8a330898e23a9.html
Friday, November 30, 2012
Thursday, November 29, 2012
Friday, November 23, 2012
The Vision Gyroscope
Estimates angular velocities solely by means of image processing. Operates under a large variety of conditions and matches or even outperforms current MEMS gyroscopes in terms of accuracy, responsiveness and resource consumption.
Thursday, November 22, 2012
Wednesday, November 21, 2012
Saturday, November 17, 2012
Friday, November 16, 2012
Thursday, November 15, 2012
Monday, November 12, 2012
3D-Bee Diamond
From: "VEFXi - Creator of the 3D-Bee" <media@vefxi.com>
Date: Nov 12, 2012 6:22 PM
Subject: One Day Sale: 3D-Bee Diamond only $249!
To: <john.sokol@gmail.com>
| Having trouble viewing this email? Click here |
One Day Sale: 3D-Bee Diamond Only $249!
This is hot! 3D-Bee Diamonds are 50% off for one day only, Nov. 13, 2012 in tandem with the game release Call of Duty, Black Ops II. Take advantage today!
About VEFXi:
VEFXi is the leading developer of the highest quality realtime 2D to 3D converters in ten hardware market segments and six service markets. VEFXi products are also utilized by several movie studios as the technology of choice for 3D conversion. VEFXi is uniquely positioned to advance 3D technologies with its current and future product lines. VEFXi is headquartered in Portland, Oregon. To learn more visit http://www.vefxi.com .
| ||||||||||
Fwd: Optrix Expands Video Capturing Capabilities with New Accessories for XD Sports Case
From: "Pedro Chen" <pedrochen@maxborgesagency.com>
Date: Nov 12, 2012 11:18 AM
Subject: Optrix Expands Video Capturing Capabilities with New Accessories for XD Sports Case
To: <john.sokol@gmail.com>
| |||||||||||
| Sent to:john.sokol@gmail.com If you prefer not to receive future e-mails of this type, click here |
|
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Sunday, November 11, 2012
Jury says journalist arrested while videotaping police is not guilty
Jury says journalist arrested while videotaping police is not guilty
Police Major Nancy Perez, moments before she arrested Miller on January 31, 2012.
A jury acquitted a Florida photojournalist who was arrested on January 31while documenting the eviction of Occupy Miami protesters. The police accused Carlos Miller, author of a popular blog about the rights of photojournalists, of disobeying a lawful police order to clear the area. But another journalist testified he had been standing nearby without incident.
After Miller's January arrest, the police confiscated his camera and deleted some of his footage, including video documenting his encounter with the police. That may prove to be an expensive mistake. Miller was able to recover the footage, which proved helpful in winning his acquittal. He says his next step will be to file a lawsuit charging that the deletion of the footage violated his constitutional rights.
"I was questioning their orders. That's what I do"
The one-day trial occurred on Wednesday. In a Thursday interview, Miller told us that the prosecution accused him of "being antagonistic to police because I was questioning their orders." However, he said, "that's what I do. I know my rights. I know the law."
During the trial, Miller's attorney, Santiago Lavandera, admitted that Miller used some coarse language with the police officers at one point during the evening. But he stressed that it wasn't the job of a journalist to meekly obey police orders.
"When you're a journalist, your job is to investigate," Lavandera told the jury. "Not to be led by your hand where the police want you to see, so they can hide what they don't want you to see. As long as you are acting within the law, as Mr. Miller was, you have the right to demand and say, 'no, I'm not moving, I have the right to be here. This is a public sidewalk, I have the right to be here.'"
Miller told us the jury deliberated for only about half an hour before returning a verdict of "not guilty." He said his case was helped by the footage he recovered from his camera. That footage, he told us, clearly showed that there were other journalists nearby when he was arrested.
One of them was Miami Herald reporter Glenn Garvin, who testified in Wednesday's trial. According to Miller, when Garvin saw Miller being arrested by Officer Nancy Perez, "he immediately thought he was going to get arrested, so he asked Nancy Perez if it was alright for him to be standing there and she said, yes, he was under no threat of getting arrested."
There's a history of confrontations between Miller and the police, and Miller said the police had singled him out for that reason. An e-mail disclosed during the trial showed the police had been monitoring Miller's Facebook page and had sent out a notice warning officers in charge of evicting the Occupy Miami protestors that Miller was planning to cover the process.
Constitutional challenge
Now that Miller doesn't have a jail sentence hanging over his head, he's planning to turn the tables on the Miami-Dade Police Department. He plans to file a lawsuit arguing the deletion of his footage by the police violated his constitutional rights.
According to Miller, such incidents are disturbingly common around the country. As camera-equipped cell phones have proliferated, ordinary Americans have increasingly used the devices to document how police officers do their jobs. And he said he heard of numerous incidents in which the police confiscate these devices and delete potentially embarrassing footage.
Miller told us most victims don't stand up for their rights in court. In many cases, people are happy simply to have the police drop the charges against them. But Miller isn't so easily cowed.
If Miller files his lawsuit, he will join a handful of other plaintiffs who have gone to court to vindicate their rights to record the activities of police officers. Judges in Massachusetts and Illinois have held it unconstitutional to arrest people for recording the activities of police. A Baltimore man hassued the police for deleting his footage from his cell phone. The Obama administration filed a brief in the case arguing that deleting such footage violates the Fourth Amendment.
Miller points out that if an ordinary citizen deleted footage relevant to an alleged crime, he could be charged with destruction of evidence, a felony. He believes that police officers should also be held accountable when they seize cameras and delete footage.
Thursday, November 08, 2012
Wednesday, November 07, 2012
Apple Told to Pay $368.2 Million to VirnetX in Trial- Bloomberg
> From: JM
>
> http://mobile.bloomberg.com/news/2012-11-07/apple-told-to-pay-368-2-million-to-virnetx-in-patent-trial-1-.html
A federal jury in Tyler, Texas, said Apple's FaceTime function, used on the iPhone, iPod Touch and iPad as well as Mac computers, infringed four VirnetX patents. VirnetX had won a $200 million settlement from Microsoft Corp. in 2010 over the same technology.
"This victory further establishes the importance of our patent portfolio," VirnetX Chief Executive Officer Kendall Larsen said in a statement.
The VirnetX patents cover the use of a domain-name service to set up virtual private networks, through which a website owner can interact with customers in a secure way or an employee can work at home and get access to a company's electronic files.
Tuesday, November 06, 2012
Friday, November 02, 2012
H.264 Decoder in JavaScript Running at 30fps
A friend of mine was telling me they were streaming live H.264 video off an AR Drone Copter using Broadway.js
Some 15 years ago I did an H.263 decoder in Java, but it was miserable and only had enough cpu to
do 176x144 postage stamp size video.
Source code available here:
https://github.com/mbebenita/Broadway
Native JavaScript H.264 decoder offers compelling demo of JS performance
Mozilla has released "Broadway," a native JavaScript-based H.264 decoder that …
http://arstechnica.com/information-technology/2011/10/native-javascript-h264-decoder-offers-compelling-demo-of-js-performance/
Broadway: An H.264 Decoder in JavaScript Running at 30fps
JS Challange: Build an H.264 decoder in JavaScript for Firefox and Chrome. If we can do PDFs and MP3s, we can do H.264!
http://badassjs.com/post/12035631618/broadway-an-h-264-decoder-in-javascript-running-at
Similar project but for WebM video:
Route9.js: A VP8/WebM decoder in JavaScript
http://badassjs.com/post/13551173773/route9-js-a-vp8-webm-decoder-in-javascript
Monday, October 29, 2012
Friday, October 26, 2012
Thursday, October 25, 2012
Friday, October 19, 2012
Thursday, October 18, 2012
Inter-Continental 8K Media Streaming Demonstrated at the GLIF Global LambdaGrid Workshop
Date: Thu, Oct 18, 2012 at 8:50 AM
Subject: Inter-Continental 8K Media Streaming Demonstrated at the GLIF Global LambdaGrid Workshop
To: John Sokol
http://www.ces.net/doc/press/2012/pr121017.html
Wednesday, October 17, 2012
Tuesday, October 16, 2012
Fwd: IEEE CES - Oct 23, Quantum Dots / Nanosys
From: "Gary Sasaki" <gary.sasaki@digdia.com>
Date: Oct 16, 2012 8:54 AM
Subject: IEEE CES - Oct 23, Quantum Dots / Nanosys
To: <ieee-scvce@listserv.ieee.org>
Note: NVIDIA has been a great venue for our meetings, but sometime in 2013 we will need to move to a new venue.
If you know of a venue that we can use that can hold about 150 people or more, please let us know. Thank you.
|
Best Regards,
Gary Sasaki
twitter: @digdia
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