Tuesday, May 17, 2011

Video Experimenters board

Make: Online | Toolbox Review: Video Experimenter Shield

With high-definition television becoming increasingly widespread, many people are tossing their old NTSC or PAL video equipment to the curb. But as makers, we can reclaim this old equipment for our own projects. Enter The Video Experimenter. This Arduino shield by Nootropic Design lets you program your Arduino microcontroller to manipulate and analyze NTSC or PAL video signals from a composite video source. You can also decode closed caption text, which is transmitted within the video image.

Friday, May 13, 2011

Netflix for Android Phone

Netflix for Android Phone

* The Netflix app runs on these phones:
1. HTC Incredible with Android 2.2
2. HTC Nexus One with Android 2.2, 2.3
3. HTC Evo 4G with Android 2.2
4. HTC G2 with Android 2.2
5. Samsung Nexus S with Android 2.3.

 I suspect that security is a big limitation for Android adoption, content rights holders want almost unrealistic levels of security and encryption for any device to play content.
This is I am sure must be one of Netflix largest limiting factors.

Read More:

Netflix Brings Instant Streaming to Android, Will Roll Out Gradually by Device

Netflix launch on Android

Thursday, May 12, 2011

Growth predicted for Mobile Pico Projectors

Pacific Media Associates Forecasts 93% Compound Annual Growth in Mobile Pico Projectors Through 2015


Foresees Strong Roles for Both Companion and Embedded Types

Menlo Park, California, USA – May 11, 2011. Pacific Media Associates (PMA), the worldwide market information experts on front projectors, have just released the results of their first quarter census of all front projectors, finding that worldwide shipments of the  mobile, battery-powered, ones grew to 235,000 units compared with 109,000 in the year-earlier quarter, an increase of 116%.

PMA currently believes that the industry is on track to grow at an average rate of 93% per year through 2015, reaching over 17.2 million units. And if that rate were to continue for the following 5 years, the 2020 shipments would be over 460 million. These impressive figures include both the stand-alone accessory (AKA companion) products now selling at prices as high as $500 and the optical modules embedded in a wide range of other battery-powered gadgets such as smartphones, digital cameras, camcorders, notebook computers, and even tablets.

“People are increasingly mobile today, and their desire to carry pocket-sized gadgets but look at big pictures can only be met by some form of pico projector technology,” said Dr. William Coggshall, President of Pacific Media Associates. “Many companies are currently making components, optical engine modules, and complete projectors, using combinations of imager chip technologies such as DLP, LCOS, and MOEMS scanners, with illumination system technologies such as lasers and LEDs.”

About Pacific Media Associates

Pacific Media specializes in worldwide front projector market information, including New Era (sub-500 lumens), Mainstream (500-4999 lumens), and High-End (5000+ lumens) categories. Their Industry Service family of publications provides detailed worldwide quarterly updates (sell-in data and forecasts) on front projector markets, newsletters on new products and other key industry developments, and biennial Web surveys of North American dealers and end users (including organizations and individual consumers). Their Tracking Service family of monthly reports offers timely sell-through data and analysis on unit sales, true volume-weighted street prices, and inventories of front projectors sold by leading North American retailers, resellers, and distributors. Pacific Media Associates was established- by Dr. William Coggshall, who was a co-founder of Dataquest (now part of Gartner) and helped start the syndicated high-tech market information business. The company headquarters is at 1060 Siskiyou Drive, Menlo Park, CA 94025. Telephone +1 650-561-9020 www.pacificmediaassociates.com

Monday, May 09, 2011

Netflix CEO Hesitant To Fight Cable

From Slashdot:
"Those who were hopeful that Netflix would bring the fight to the cable companies may be disappointed in the latest comments from their CEO. 'Reed Hastings is pleased with his company's massive growth, but he fears that getting too large will start "an Armageddon" with cable networks.' It's a fight he doesn't think his company could survive."

Tuesday, May 03, 2011

3DTV facebook group.



I am just experimenting here a little, someone invited me to be an admin of this group.

John

Ownership Of TV Sets Falls in U.S.

Ownership Of TV Sets Falls in U.S. – by Brian Stelter – The New York Times – 5/3/11

For the first time in 20 years, the number of homes in the United States with television sets has dropped.

The Nielsen Company, which takes TV set ownership into account when it produces ratings, will tell television networks and advertisers on Tuesday that 96.7 percent of American households now own sets, down from 98.9 percent previously.

There are two reasons for the decline, according to Nielsen. One is poverty: some low-income households no longer own TV sets, most likely because they cannot afford new digital sets and antennas.

The other is technological wizardry: young people who have grown up with laptops in their hands instead of remote controls are opting not to buy TV sets when they graduate from college or enter the work force, at least not at first. Instead, they are subsisting on a diet of television shows and movies from the Internet.

That second reason is prompting Nielsen to think about a redefinition of the term ''television household'' to include Internet video viewers.

''We've been having conversations with clients,'' said Pat McDonough, the senior vice president for insights and analysis at Nielsen. ''That would be a big change for this industry, and we'd be doing it in consultation with clients if we do it.''

Nielsen's household figures suggest that while the TV set is still firmly at the center of the average American's media life, a small minority of Americans are finding ways to live without it. The ''persistently rocky economy'' is ''the driving factor,'' the company says in the report to be released Tuesday.

Similarly, the economy was the reason cited by Nielsen when the percentage of homes with sets declined in 1992. That decline, the company's report says, ''also followed a prolonged recession and was reversed during the economic upswing of the mid-1990s.'' If the current decline persists, it will have profound implications for the networks, studios and distributors that are wedded, at least in part, to the current television ecosystem.

Nielsen's estimates incorporate the results of the 2010 census as well as the behavior of the approximately 50,000 Americans in the national sample that the company relies upon to make ratings projections. ''One thing we are seeing in the Nielsen sample are fewer people owning TVs,'' Ms. McDonough said. It was first evident in the sample in late 2008, she said, during the worst of the financial crisis and the recession.

Nielsen's research into these newly TV-less households indicates that they generally have incomes under $20,000. ''They are people at the bottom of the economic spectrum for whom, if the TV breaks, if the antenna blows off the roof, they have to think long and hard about what to do,'' Ms. McDonough said. Most of these households do not have Internet access either. Many live in rural areas.

The transition to digital broadcasting from analog in 2009 aggravated the hardship for some of these households. Some could not afford to upgrade, Nielsen surmised, though the government tried to provide subsidies in those situations.

And some in rural areas could not receive digital signals as effectively as analog signals for technical reasons. In those cases, ''if you're an affluent household -- or most middle-class households -- you're going to get a satellite dish. If you're a struggling household, likely you're not going to be able to afford that option,'' Ms. McDonough said.

Then there are the tech-savvy Americans who once lived in a household with a television, but no longer do. These are either cord-cutters -- a term that refers to people who stop paying for cable television -- or people who never signed on for cable. Ms. McDonough suggested that these were younger Americans who were moving into new residences and deciding not to buy a TV for themselves, especially if they ''don't have the financial means to get one immediately.''

Nielsen has not yet assessed what proportion of the decline can be attributed to this behavior. But the decline in the percentage of homes with sets is sure to kick off another round of speculation about cord-cutting.

Sensitive to its clients' concerns, Nielsen explains the trend this way in the report: ''While Nielsen data demonstrates that consumers are viewing more video content across all platforms -- rather than replacing one medium with another -- a small subset of younger, urban consumers seem to be going without paid TV subscriptions for the time being. The long-term effects of this are still unclear, as it is undetermined if this is also an economic issue that will see these individuals entering the TV marketplace once they have the means, or the beginning of a larger shift to online viewing.''

Monday, May 02, 2011

This Business of Television


I am looking at the 1991 edition of this book which can be had used for around two dollars used.
It's fantastic. It goes in to the relivant laws. How contracts are structured and business details.

There is also a 2006 edition.  I plan on ordering now.

Amazon.com: This Business of Television (9780823077632): Howard J. Blumenthal, Oliver R. Goodenough, Howard Blumenthal: Books

Saturday, April 23, 2011

EC2 Outage

A lot of companies rely on EC2 to do video trans-coding and other video effects. It's a quick way to scale without having to purchase and maintain hardware.  The down side, there is no fail over, no way to recover your services other then wait till Amazon gets back and running.

From Slashdot:   EC2 Outage Shows How Much the Net Relies On Amazon
"Much has been written about the recent EC2/EBS outage, but Keir Thomas at PC World has a different take: it's shown how much cutting-edge Internet infrastructure relies on Amazon, and we should be grateful. Quoting: 'Amazon is a personification of the spirit of the Internet, which is one of true democracy, access to the means of distribution, and rapid evolution.'"An article at O'Reilly comes to a similarly positive conclusion from a different angle.

Why People Should Stop Being Duped By the 3D Scam

From Slashdot:

"The entertainment and electronics industries keep trying to push 3D on consumers, even though a lot of smart people have caught on to the fact that it is a scam and not innovation as the industry would like you to believe. From the article: 'This is a bad experiment that the industry is forcing consumers to subsidize. And since they can’t create a better product, they’ve simply latched on to 3D as a marketing ploy that the entertainment and electronics industries can use to trick people into thinking that they are getting a superior experience. It’s only working because just enough people are falling for the scam to keep it alive.'"

I totally disagree with this.

I think after seeing some of these movies and the New 3D cameras and Nintendo 3DS my kids will be demanding 3D on all of there screens.  So even if this wave of 3D doesn't take off right away I am confident in 10 years 3D will me commonplace.

Comcast Hounded By Collections Agency

From Slashdot:

"According to the St. Paul Pioneer Press, Comcast is being taken to court for non-payment by a bill collection agency it used to collect past-due payments from customers. The suit alleges that Comcast agreed to pay $5 for each account it closed and that for each account the collection agency handled Comcast would pay 33% of the collected funds. The suit is seeking $314,210 for account cancellations and estimates Comcast owes them $50,000 for delinquent funds collected."

Friday, April 22, 2011

A Clash Over the Airwaves

Overcrowded cellphone spectrum and wireless broadband networks have put the United States on the verge of a “spectrum crisis“ that, unaddressed, will threaten the nation’s technological leadership and economic growth. The 120 megahertz of spectrum being sought from the broadcasters would increase the amount available for cellphones and other wireless devices by about 22 percent, to 667 megahertz.

Good article on New York Times:  A Clash Over the Airwaves


The Federal Communications Commission has a solution: reclaim airwaves from “inefficient“ users — specifically, television broadcasters — and auction them off to the highest bidder, sharing some of the proceeds with television stations that volunteer to give up airwaves, known in the trade as spectrum. 

Broadcasters, however, are furious with the plan, setting the stage for an old media vs. new media lobbying battle with cellphone companies and the government.
“We’re in full battle mode to protect broadcasters from being forced to give up spectrum,“ said Gordon H. Smith, president of the National Association of Broadcasters and a former United States senator, addressing his members at their meeting here last week. The CTIA, the lobbying group for the wireless industry, quickly fired back, accusing broadcasters of “desperate and inaccurate stall tactics,” said Steve Largent, the group’s president, who is a former Oklahoma congressman and member of the Pro Football Hall of Fame.
Broadcasters have long been under siege, their audiences slipping away to cable television, their advertisers defecting to the Internet. Although giving up spectrum would go unnoticed by most viewers, the fight to hold onto a chunk of the airwaves could be the industry’s biggest battle in years.
“We are not going to volunteer,“ said Leslie Moonves, the CBS chief executive. “Spectrum is our lifeblood.“ CBS owns and operates 14 stations in the large markets that the F.C.C. is considering for spectrum sell-offs.
Some lawmakers on Capitol Hill, in whose hallways the battle is likely to be fought over the next year, have already challenged the assertion that the auctions would be completely voluntary.
“Sounds kind of like a bank holdup to me,“ Representative John D. Dingell, a prominent Michigan Democrat, told Julius Genachowski, the F.C.C. chairman, at a hearing in February. “You hold a gun at the teller’s head and say, ‘We know that you are going to voluntarily give me this money. If you don’t, I’m going to shoot you.’ “
To the government, the overcrowded cellphone spectrum and wireless broadband networks have put the United States on the verge of a “spectrum crisis“ that, unaddressed, will threaten the nation’s technological leadership and economic growth. The 120 megahertz of spectrum being sought from the broadcasters would increase the amount available for cellphones and other wireless devices by about 22 percent, to 667 megahertz. On top of that, the Obama administration has said it wants to free an additional 380 megahertz for wireless Internet use.
“This growing demand is not going away,“ Mr. Genachowski told broadcasters last week. “The only thing that can address the growing overall demand for mobile is increasing the overall supply of spectrum and the efficiency of its use.“
From the days of analog signals, television bands leave broad spaces between stations to prevent interference — hence, their inefficiency. For cable TV or satellite viewers, airwave changes make no difference in reception. But for the 11 million households that still use an antenna to receive over-the-air signals (and thus do not subscribe to cable or satellite) there could be some interference between stations as the F.C.C. tries to press TV signals into a tighter spectrum bands.
Government officials deny this, but as the conversion to digital broadcasting showed, there can be unexpected consequences when you mess with the physics of broadcasting.
Mr. Genachowski has garnered support for the idea of reclaiming spectrum from some broadcasters. Also, a group of 112 economists who specialize in telecommunications, competition policy and auction design sent a letter to President Obama urging him to push Congress to approve incentive auctions. Three bills have been introduced in Congress supporting the idea.
But some members of Congress have opposed the plan, and the broadcasters’ group is a formidable foe. The group spent nearly $14 million on lobbying last year and made another $886,000 in campaign contributions toward the 2010 elections, according to the Center for Responsive Politics, in Washington. 


In Mr. Genachowski’s favor are estimates that incentive auctions will generate $24 billion or more for the Treasury. He argues that the reallocation of spectrum to wireless broadband “will generate benefits to our economy and society an order of magnitude 10 times that amount.“

But there has been little public discussion about how much of the proceeds broadcasters would receive, an omission that has left station owners wary.
There is plenty of evidence of growing demand for wireless broadband. Just one year ago, the commission projected that mobile data traffic would increase 35-fold over the next five years — an estimate that was quickly rendered obsolete with the introduction of the iPad.
That a new technology could become so popular so quickly demonstrates the need for additional spectrum, Mr. Genachowski says, because those technologies can spur new ways to address “major national challenges like education, health care, energy, transportation and public safety.“ The F.C.C. could, of course, simply move to take spectrum back from broadcasters when their licenses expire, but that would probably result in lengthy court battles. The F.C.C. wants broadcasting spectrum because those wavelengths are particularly hearty — they travel well through buildings, an advantage for mobile smartphones.
But Mr. Genachowski says the F.C.C. feels that it cannot simply grab spectrum and believes that buyers would pay more for uninterrupted airwaves. So it is asking broadcasters to either turn over their spectrum for cash and go out of business, or voluntarily move to another frequency, freeing chunks of space. For technical reasons, the move would not necessarily force stations to change their familiar channel number.
“No broadcaster will be forced to offer up spectrum for auction,“ Mr. Genachowski said. But “voluntary can’t mean undermining the potential effectiveness of an auction by giving every broadcaster a new and unprecedented right to keep their exact channel location.“
Translation: The F.C.C. might forcibly move some stations if it does not get enough volunteers. It also has proposed assessing “spectrum fees” on broadcasters, which in most cases now receive their licenses for free.
Broadcasters say they are being shortchanged, because broadcasting’s model of transmitting from one station to millions of viewers is more efficient than one-to-one wireless communication. “We understand broadband is important, but we think broadcasting is important, too,“ said Alan Frank, president of Post-Newsweek Stations, a division of the Washington Post Company that owns six stations.
Other owners are more blunt. “I’ve never heard so much nonsense in my life,“ said Charles Glover, chairman and chief executive of Telos Digital Television Networks, which owns the Fox station in Portland, Me.
“This is an actual cash grab from all of these people who have dedicated our lives to build these systems.” By taking spectrum, Mr. Glover said, “you are about to start a train wreck that we will not be able to come back from.”

Monday, April 11, 2011

Live Video on YouTube

Well last September YouTube did a brief test of live video streaming. I guess it went well because they are rolling it out today.

It's amazing really since Recorded VOD (video on demand) is a much more difficult problem then live broadcast video.  This is the reason I focused on live video, because the bar was in some ways lower. In other ways higher because you need to maintain good signal paths across the network.  But that's what I used my ECIP protocol for.

Here are some articles on YouTube's live streaming.
YouTube is going LIVE


Coming At You: Live Video on YouTube.

YouTube is going live.
Google Inc.’s video arm is rolling out a special platform for live streaming shows. Called YouTube Live, the site lets viewers browse through live shows that are playing now, as well as ones that are coming up or already have been recorded.


YouTube tests live video streaming   From September 2010

Friday, April 01, 2011

IP Cam Viewer

Came across a great Android App.


IP Cam Viewer by Robert Chou





Remotely view and control your IP Camera, DVR, and Network Video Recorder, CCTV and WebCam using this Android mobile client.
Includes a database of public web cams around the world like Traffic Cameras.

Supports SSL, H.264, mjpeg, 2-way audio on some cameras, pan/tilt, optical zoom, presets, relay control and digital pinch to zoom functionality.

Add your cameras to your home screen with widgets (controllable refresh rate),
Have dozens of cameras? Group them for quick recall.

Has Matrix view, gallery view and digital zoom mode.
Setup once, export settings to sdcard, option to share cameras, and browser integration.

Apple iOS version available (IP Camera Viewer)
Blackberry 6.0 version available (Live Cams)
Windows Phone 7 version under development

Over 450+ different makes/models supported. For specific camera models and features, see website:
http://hit-mob.com/ip-cam-viewer-android/

=== coming soon...
In the next release or 2, I plan on adding a "recording mode" where by the app will:

- record as fast as possible, for all enabled cameras, to your sdcard
- you'll be able to specify max space usage but app will automatically recycle space up to that limit

The idea is that you can use a spare android device that is plugged in as a cheap solid state recorder.
Probably don't want to use this mode on your normal phone because it'll drain your battery.
Also probably not useful for users with dvrs already but can be useful for people with just standalone ip cameras.

=== make/models supported:
http://hit-mob.com/ip-cam-viewer-android/device-support-list/
Generic URL
3xLogic
4UCAM
4XEM
A-Link
AbelCam
ABS
ABUS
ACTi
Active Vision
ADT
Airlink
Airship
Alien
Alinking
Allnet
APC
Apex
Aposonic
Appro
ArcVision
Arecont
Arm Electronics
Asante
ASIP
Asoni
Astak
Avermedia
AVIOSYS
AVS
AVTECH
Axis
Basler
Bewan
BiQu
Blue Iris
Bluecherry
BlueJay
BluePix
Bosch
Brickcom
BVUSA
BWA
Canon
CCTVHotDeals
Cellinx
Chubb
CIP
Clas Ohlson
Compro
Conceptronic
Convision
COP-USA
CPCAM
Creative
CTRing
CVLM
Dahua
Dedicated Micros
Defender
Digicom
Digital Watchdog
Digitus
Digix
DiVis
DLink
Dtt
DVRUSA
DynaColor
EasyN
EasySE
Edimax
Elmo
Elro
Eminent
Etrovision
Everfocus
EvoCam
ExacqVision
Exelon
EYEMAX
EyeSpy247
Eyseo
Falco
Falcon
Fitivision
FlexWatch
FoodTec Solutions
Foscam
Gadspot
GE
Gembird
Genius
Geovision
GKB
GlobeTeck
go1984
Goscam
GrandSec
Grandstream
Grandtec
Hama
Hawking Tech
HeiTel
Hesavision
Hikvision
HISUNG
HooToo
Hungtek
Hunt Electronics
I-View
ICam
ICAMView
ICanTek
iCatch
ICRealtime
IGuard
iKONiC
Imogen
imotion
Inscape Data
INSTAR
Intellinet
IPUX
IQinVision
JVC
KGuard
Laser
LevelOne
Linksys
Logilink
Lorex
LTS
Lumenera
Mammoth Technologies
Marmitek
MayGion
Merit Lilin
Mesa
Messoa
Microseven
Mobotix
MonoPrice
NetMedia
NetZEye
Neugent
Night Owl
NuSpectra
Nuvico
Okina
Open Source
OpenEye
Opticam
Optivision
Orite
OvisLink
Panasonic
Pelco
Photo Feed
Piczel
Pinetron
Pixord
Planet
Planex
Plustek
Power Telecomm
PY Software
Q-See
QNAP
RaySharp
Rayvision
Remote Eyes
Repotec
Rifatron
Rimax
Robox
Samsung
Sanyo
SCD
Security Labs
SecuritySpy
Seteye
Sharx
Shixin
Sitecom
SmartEye
Solwise
Sony
SparkLan
Speco Tech
StarDot
SuperCircuits
SVAT
Swann
Sweex
Talon
Talos
TechVision
Telefonica
Tenvis
Tibetsystem
TomTech
Toshiba
TP-Link
TRENDnet
True-H DVR
TSM
UTC
Veo/Vidi
Vidi
Vilar/Vipcam
VisorTech
Vitek
Vivotek
Vonnic
Wansview
WebcamXP
Well Vision
WowWee
Y-Cam
y3k
Yawcam
Yoics
Zavio
Zmodo
Zoneminder
Zonet

Thursday, March 31, 2011

NAB April 11-14 in Vegas

National Association of Broadcasters, NAB  April 11-14 2011 in Las Vegas

This is the Big Broadcast Show of the year.

It comes just days after the ISC security video conference on April 6-8th.

ISC west is coming to Vegas, April 6-8th 2011

If your in to CCTV / Security and video surveillance this is the show to attend. 
International Security Conference  (ISC)  April 6-8th 2011 Las Vegas


Booths to Visit:

Win an iPad 2 at ISC West from FLIR

Full-Featured 320 × 240 Thermal Cameras For Less Than $3,000!

High-quality thermal security cameras this affordable are being used in
hundreds of new and exciting ways! Come to FLIR’s Vendor Solutions
seminar and learn about some of these groundbreaking security and
surveillance applications, as well as how dealers and integrators can
take advantage of this remarkable paradigm shift that’s happening –
literally – overnight.
This presentation will go beyond just an overview of new applications,
and explore how these new, low-cost cameras are creating entirely new
customer bases and market opportunities for FLIR’s thermal security
camera technology.
If you’re a registered 2011 ISC West attendee, not affiliated with
FLIR, and you come to FLIR’s Vendor Solution seminar you’ll be
registered to win a new iPad 2 with AppleCare.

Vendor Solutions Seminar
Wednesday, April 6th
Marco Polo Room #704/804
3-5pm

To Register visit
http://www.cvs.flir.com/e/6132/ricas-en-security-iscwest2011-/1O6Q/7828502

Visit FLIR at booth 18063 to see the latest in low-cost, high-performance
thermal security cameras.

Come visit FLIR Systems’ two other booths at ISC West:

FLIR Thermal Camera Cores for OEM Solutions – Booth 25123

FLIR Integrated Detection Technologies from ICx – Booth 25091



booth no 36008

Longse Electronics Ltd
No.8 Bldg,Yujing Industrial Zone,Zhuji Rd,
Tianhe District, Guangzhou,510620 China
http://www.longse.com



Booth No 35022

Shenzhen Dowse Electronics Co., Ltd
Address: :5F,5# Building,Mingxing Industrial Park,MingKang Rd.Mingzhi,longhua Town,Bao'An District,ShenZhen, China
www.szdowse.com/en/index.php



Other related Shows:

IFSEC 2011 May 16-19 in Birmingham, UK

Secutech 2011  April 20-22 Taipai, Taiwan

Hong Kong Electronics Fair  April 12-16

Tuesday, March 29, 2011

Study: Pico projectors to vastly expand market by 2015

Pacific Media Associates estimates that sales of projectors will surge to 39 million units by 2015, compared with 8.5 million last year. A large part of the growth is expected to come from small units called pico projectors, which are forecast to explode to 27 million units by 2015 -- a significant leap from the 1 million sold in 2010. ElectronicHouse.com

NCR eyes disc sales via new kiosks

NCR, which already operates more than 8,000 Blockbuster Express rental kiosks, is looking at starting a separate venture that would use kiosks to sell new releases on DVD and Blu-ray. Last month, when NCR reported its latest quarterly results, the company said it planned to deploy an additional 3,000 Express kiosks this year. Home Media Magazine

Netflix closes in on a 5-year streaming deal with Miramax

Netflix reportedly is close to a deal worth more than $100 million with Miramax to stream more than 700 films from the studio, including popular titles such as "Shakespeare in Love" and "Pulp Fiction." The studio also held similar talks with Amazon and Facebook, sources said. Earlier this month, rival Warner Bros. Entertainment launched an independent application to rent out movies on Facebook. The Wall Street Journal

Study finds higher engagement levels with 3D Blu-ray discs

Viewers watching a 3D movie on a Blu-ray disc are 12% more engaged than with a standard Blu-ray and nearly 30% more attentive than they are when watching the same film on a conventional DVD, according to a study conducted for the Blu-ray Disc Association by Mindlab International. "3D is a fully immersive format, increasing engagement in viewers," said Duncan Smith of Mindlab. "... 3D technology draws attention to peripheral images on the screen and, coupled with Blu-ray quality definition, it is able to deliver footage that increases engagement and emotional response over all the formats."
Pocket-Lint.com (U.K.)

M-3DI 3D standard for Active-shutter Glasses used in 3D HDTV's.

Aiming for greater interoperability among 3D devices, XpanD 3D has started licensing an active-shutter standard developed with the help of Panasonic. The system, called M-3DI, has been licensed by Panasonic and is designed to allow users to buy a pair of XpanD active-shutter 3D glasses for a Panasonic TV and take them to other places, such as the cinema or a friend's house, that employ comparable systems. Other companies expected to get involved with the M-3DI standard are Changhong, Funai, Hisense, Hitachi, Sanyo, Seiko Epson, Sim2, Mitsubishi, Philips and Viewsonic.


Read more at:
XpanD 3D, Panasonic Team For New 3D Standard

 -----------------

CEA begins standards process for 3D glasses
The Consumer Electronics Association has launched a new standards process for 3D glasses. CEA seeks proposals for standardizing 3D active eyewear that uses an infrared (IR) synchronized interface from consumer-electronics (CE) manufacturers. Interested participants are encouraged to join the 3D Technologies Working Group, R4WG16. "The expanding presence of 3DTV in the home makes the need for interoperable 3D glasses more urgent than ever," said Brian Markwalter, CEA vice president of research and standards. "As the hub of technology industry innovation, CEA is the logical host for such a crucial effort. Industry participation will help meet consumer demand and expectations regarding 3D interoperability in the home." R4WG16 requests that interested parties in the CE industry download the formal Active Eyewear Standards IR Sync Request for Proposal (RFP) and return it to Alayne Bell by 5 p.m. Eastern time Thursday. To join the working group, contact Alayne Bell at (703) 907-5267

Friday, March 25, 2011

Cable Channels Panic Over iPad Streaming App

From Slashdot:
"Time Warner Cable this month released an iPad app that would allow its subscribers to stream (some of) the channels they already pay for to their iPad, so long as they're connected to home Internet service provided by Time Warner Cable. The app probably seems like a baby step to most Slashdotters, and was extremely popular among subscribers — but it's thrown the owners of those channels into a panic, and they're threatening lawsuits. Time Warner says the contracts they've signed with the channels allow broadcast to any device in the home — 'I don't know what a TV is anymore,' says one company exec — but the channel owners fear that this will disrupt current and future revenue streams and that they need to stop it now. 'If we allow this without litigation, everyone will do it tomorrow,' says an anonymous source. 'If we litigate, we have a chance to win.'"

Tuesday, March 22, 2011

Talk: Content Distribution Networks and Broadcast Video

SVLUG events.gif
SVLUG (Silicon Valley Linux Users Group)
Wednesday April 6th, 2011, 7PM-9PM
Speaker: John Sokol
Location: Symantec (formerly Veritas), Mountain View

Topic: Content Distribution Networks and Broadcast Video 
 


 

Monday, March 21, 2011

The History and Usage of TIFF

Read it here:
The History and Usage of TIFF

Mobile DTV

Climbing the Mobile DTV Summit
Broadcasters have to make it clear that over-the-air television is an integral part of the new media environment.


I think there is a lack of vision with these industries.

There are many live TV streams using Flash over the Internet now that work great on my Droid Cell phone and I am told work on iPhones too.


Here is a little demo / test to try on your home PC and Cell phones.

http://www.videotechnology.com/tv/

Anyhow coming up with different standards and protocols for the "Three Screens"  TV/PC and Cell. Four if you now count table PC/ iPads.

RTSP & RTMP and even MMS can work on all of these screens and there is no need for "special" systems and methods for the Mobile market. In addition there going to make the legal contracts side of this more difficult as well since there will be additional contracts for the Mobile market.

Thursday, March 17, 2011

Paramount Pictures To Release Film On Bittorrent

From Slashdot:
In a little over two months time, the long-awaited horror movie "The Tunnel" will receive its world premiere. Rather than a traditional theatrical release, the movie – which is set in abandoned real-life tunnels under Sydney, Australia – will make its debut online for free with BitTorrent. Simultaneously it will be released on physical DVD, to be distributed by Hollywood giant Paramount Pictures.

This is Interesting. Paramount also tried releasing movies on USB drive back in Nov 09 using the Mo-DV DRM technology.


Critical vulnerability in Flash

Adobe is warning its users about a critical vulnerability in Flash that affects Adobe Reader and Acrobat, as well, and is being used in some highly targeted attacks right now. The vulnerability in Flash Player affects Reader and Acrobat, both of which include Flash functionality, but it does not affect Reader.

Read more:

IsoHunt to court: Google is the largest torrent search engine

From techspot.com:
IsoHunt is still fighting its legal battle with the MPAA. In the latest episode, the torrent website filed a reply brief (PDF, via TorrentFreak) to the US Court of Appeals in which it suggests that Google, and not IsoHunt, is the largest BitTorrent search engine on the Internet.
IsoHunt is essentially arguing that if it is going to be targeted by movie studios, so should Google. Last month, Google got involved took interest in the ongoing court case between IsoHunt and the MPAA, fearing that the standing injunction could damage it. Although the search giant did not dispute IsoHunt's liability, the company is clearly concerned. Here's the crux of IsoHunt's argument:

Neither Google nor Plaintiffs mention the 95% overlap between torrents available through Defendants’ systems and torrents available through Google and/or Yahoo!. (AOB 29-30.) Neither Google nor Plaintiffs mention the 96% of Torrentbox tracker users who get torrents from places other than the Torrentbox torrent site, such as from Google or Yahoo! (AOB 11.) Defendants might argue to the jury that it is unfair to hold Defendants liable if Google, unbothered by Plaintiffs, provides torrents to ten or twenty times the number of users that visit Defendants. Defendants might argue that Defendants are being scapegoated. Defendants might argue that holding Defendants liable while ignoring Google would not curtail infringement. Defendants might argue that Plaintiffs have litigation purposes other than curtailing infringement.
Through the appeal, IsoHunt hopes to reverse the permanent injunction which orders it to filter its search results, and obtain a jury trial instead of a summary judgment. In its reply brief, IsoHunt argues that the majority of the files that can be found through its search engine are also available via Google.
While Google is not a torrent search engine, it does index and cache hundreds of millions of pages with directs links to torrent files. There's even a filetype command that allows users to search only for torrent files (by specifying the .torrent extension).

Wednesday, March 16, 2011

Netflix To Start Creating Original Content

Finally someone is doing this.
This is beautiful, cable will have the show after it's played on Netflix. I love it.


From Slashdot: Netflix To Start Creating Original Content
"Netflix may be known for offering some of our favorite TV and movie streams, but the company is about to step up its game and begin offering original content. Netflix has allegedly outbid a number of major cable networks for a new drama series produced by and starring Kevin Spacey called House of Cards, and may be about to close a deal at more than $100 million, according to a report on Deadline.com."

Time Warner Cable Cuts iPad Live TV Access 50%

From Slashdot: Time Warner Cable Cuts iPad Live TV Access 50%
"According to the article: 'Time Warner Cable March 16 slashed the number of channels available for live streaming on the Apple iPad — less than 24 hours after launching the TV Everywhere app. The No. 2 cable operator reduced to 15 channels from the original 32 offered up as the first-ever live TV broadcasts available for streaming on a portable media device. The concept allows participating media providers to grant unlimited on-demand access across multiple devices to monthly subscribers at no additional charge.'"

 

Tuesday, March 15, 2011

BBC plans for 3D

The World Teleport Association sent a tweet:
"BBC warns that full 3D tech strategy must be in place by 2012 or current standards will fail to deliver."


BBC warning on 3D standards
[by Julian Clover, broadbandtvnews.com]

The BBC is maintaining its cautious stance on the development of Stereoscopic 3D broadcasting. In an update to its technology strategy, the BBC says much of the current hype has come from the success of recent movie titles and their imminent release on Blu-ray.
In a cautionary note, the BBC says the strategy is expected to have a lifespan that reaches only as far as mid-2012, by when either a full 3D strategy will have been developed, or current 3D standards will have failed to deliver.
The report states: “There is no standardisation of the technologies for acquisition, post production, contribution or distribution of S3D. This approach is likely to suit a smaller but better funded number of players in the movie industry. Within the broader, more diverse and often less well funded television making community a lack of standardisation would be a more significant issue; not just for S3D as a format but also in financial terms for the
producers and commissioning broadcasters.”
Reiterating previous statements that the corporation will not invest in 3D programme production, the BBC says it will continue to investigate the genre through limited trials and participation in standards making. Yesterday it was announced the Wimbledon tennis championships, where the BBC is host broadcaster, will be filmed in 3D. However, the project is being backed by the manufacturer Sony.
Meanwhile, a much more positive outlook is being given to high definition, which says the report will be “business as usual” for the BBC by 2012/13. The BBC puts this down to a combination of the benchmark quality level expected by the viewing audience and because the HD standard is one of the key enablers of the transformation to an efficient end to end digital TV operation
The BBC exclusively supports the 1920 x 1080 HD standard (so called Full HD by the consumer market) for programme making using a range of frame rates and the delivery of programmes with multi-channel audio (surround sound). The plan is for the BBC to work with other UK broadcasters to produce common delivery standards for tape and file based HD programmes. Only platforms capable of meeting a minimum standard will have HD branding.
Support continues for Red Button interactive services with plans to create broadcast and IP “hybrid” services, which include broadcast event driven interactivity on connected TV platforms. The document does not mention the YouView project, continuing the theme started by the BBC’s director of archive content, Roly Keating in his presentation to the DTG Summit on Friday.
Flash, MHEG and HTML will be used in presentation environments, which the BBC says will help it remain relevant on the emerging connected TV platforms.
The Future Media & Technology division will build interactive TV applications using the Krypton Framework and MHEG+.
see the original post here: http://www.broadbandtvnews.com/2011/03/08/bbc-warning-on-3d-standards/


BBC plans 3D experiments in the run up to the Olympics 
[By Rob Coppinger, www.theinquirer.net]

It’s unlikely to have an eye-boggling channel
EYE-BOGGLING 3D TELLY experiments will be conducted by the BBC over the next year, but it has no plans for a 3D channel during the Olympic Games.
In its technology strategy update blog post, the corporation has published its strategy document that covers 35 areas and refers to forthcoming 3D trials and its investigation into what the eye-boggling 3D technology means for the future.
Aunty Beeb isn’t too glowing in terms of this 3D future. Its strategy says that by mid-2012 there will either be a full BBC sterescopic 3D programme strategy being developed or nothing.
It says it will publish in due course what programmes, genres and events it will cover with the 3D trials. The INQUIRER strongly suspects that those poncy period dramas will be one of the genres involved.
But for now Aunty Beeb will only tell The INQUIRER, “The BBC is considering a small number of 3DTV editorial experiments in the lead up to the 2012 Olympics.” But this doesn’t mean the Olympics will be broadcast in 3D. Can this forthcoming debacle of Britain’s national humiliation get any more embarrassing?
The BBC’s technology strategy also states that up to 2012 the corporation will plan a capacity roadmap with Internet service providers. It probably needs to do this due to the network capacity busting impact of the Internet protocol telly widget Youview that the BBC is backing and plans to roll out in 2012.
See the original post here: http://www.theinquirer.net/inquirer/news/2032236/bbc-plans-3d-experiments-run-olympics



BBC to take cautious approach to 3D 'hype'


[By Tony Smith www.reghardware.com]

Tests but no shows before mid-2012
The BBC seems no more keen on 3D TV than licence payers, at least for the moment.
In an update to the BBC's technology strategy, published last night, the Corporation confirmed it will not be rolling out a 3D channel until mid 2012 at the earliest, though it does plan to "investigate the technology challenges 3D produces through a series of trials".
The BBC is being cautious because there is "no standardisation of the technologies for acquisition, post production, contribution or distribution" of 3D TV content.
That's clearly a problem because it increases costs - not a trend that will be accepted in the "broader, more diverse and often less well funded television making community" in Britain today, the BBC said.
We'd add that there's relatively little indication viewers want 3D, at least until it becomes a standard feature on reasonably priced tellies.
That's a few years away, and the BBC admits its current 3D strategy is a short-term one, running to mid-2012. Then, either the Corporation will be in a position to develop a specific 3D programme strategy - or the current 3D standards will have failed to deliver or take off.
The eponymous body that oversees the DVB digital TV technology late last month put a DVB 3D standard in place.
We suspect next June's Wimbledon tennis tournament may form the basis for one of the aforementioned trials. Sony said yesterday that it will be shooting the semi-finals and finals in 3D. It will be working with the BBC, it said, which will be recording them in 2D. It's a perfect opportunity for BBC engineers and producers to work with 3D kit provided by Sony

Independent Teleport Operator of the Year: Arqiva

The World Teleport Association Announces Independent Teleport Operator, Teleport Technology and Corporate Social Responsibility Awards at the Annual Teleport Awards For Excellence

Arqiva, XipLink and Thaicom honored for exceptional service and dedication to the teleport industry

(New York City and Washington DC, March 15, 2011) – The World Teleport Association (WTA) announced the recipients of its 16th annual Teleport Awards for Excellence during a luncheon ceremony. The awards are presented each year to organizations and individuals in the teleport industry whose achievements have been deemed exceptional by the international trade association and its awards committees, made up of industry members from across the globe.

The 2011 recipients are:

Independent Teleport Operator of the Year: Arqiva Broadcast and Media – In addition to providing ongoing provision of teleport services for key customers including Sky, BBC, Viacom, ESPN, Universal Networks International, Traffic Sports International, ABS-CBN, USEI, and EchoStar, Arqiva Broadcast and Media (2007 Independent Teleport Operator of the Year) has taken a leadership role in the industry with regard to the electronic delivery of media content to cinemas via satellite. Over the last 12 months, Arqiva has set the bar for Digital Cinema Platforms, including dissemination of films, trailers and advertising to such clients as Dolby, Arts Alliance Media, Opus Arte (The Royal Opera House); Ciel Ecran (Bolshoi Ballet), The Metropolitan Opera, as well as major distributors and cinema chains.

Teleport Technology of the Year: XipLink Hub Optimizations – XipOS Hub Optimizations (“XHO”) feature bandwidth savings and performance enhancements that operate on a standalone appliance located at the teleport or Internet point of presence in a satellite network, allowing operators to compress HTTP traffic by a factor of 1.5. The technology can be limited to the teleport only with no changes to remote sites, yet offers a highly effective bandwidth savings solution that can span multiple networks at the same time. A recent deployment for Omniglobe significantly reduced bandwidth to remote communities by a blended rate of over 15%, resulting in considerably faster web browsing for users, better use of the bandwidth, a higher potential subscription ratio, with an ROI of only a few months.

Corporate Social Responsibility Award: Thaicom – According to the statistics of Distant Learning Foundation in 2009, there were 30,000 schools under the Ministry of Education throughout Thailand, with 10,000 in rural areas unable to access the national education channels. Thaicom established an ongoing program to support education in these rural areas by installing DTH terminals and televisions in select schools to level the educational opportunities between kids in rural areas versus those living in cities. As of the end of February 2011, 759 of the projected 999 school installations were completed. In addition, Thaicom employees volunteer at 63 schools.

The winners for all three categories were selected by a volunteer committee of WTA members and previous Award winners based on nominations submitted during the first quarter of 2011.

In addition to the above honorees, WTA presented the previously announced Teleport Executive of the Year to Adrian Ballintine, President of NewSat.

The 2011 Luncheon and Awards Ceremony, sponsored by SES, hosted many of the world’s leading teleport operators and previous winners of WTA’s Teleport Awards for Excellence. A senior representative from SES, Chris Schram, gave the Host's Welcome and presented the awards to the recipients, with WTA Director of Development Louis A. Zacharilla announcing the winners.

Commenting on the 2011 Awards, WTA’s Director of Development Louis Zacharilla noted that, "Innovation and dedication to service have long been motivating drivers for the teleport industry. Each of the finalists in the 2011 Teleport Awards for Excellence has gone above and beyond a daily commitment to quality operations. As a group they exemplify the drive that has made this industry successful, as well as a community with a dedication to helping others.”

About World Teleport Association
Since 1985, the World Teleport Association (www.worldteleport.org) has focused on improving the business of satellite communications from the ground up. At the core of its membership are the world's most innovative operators of teleports, from independents to multinationals, niche service providers to global carriers. WTA is dedicated to advocating for the interests of teleport operators in the global telecommunications market and promoting excellence in teleport business practice, technology and operations.
Independent Teleport Operator of the Year: Arqiva Broadcast and Media – In addition to providing ongoing provision of teleport services for key customers including Sky, BBC, Viacom, ESPN, Universal Networks International, Traffic Sports International, ABS-CBN, USEI, and EchoStar, Arqiva Broadcast and Media (2007 Independent Teleport Operator of the Year) has taken a leadership role in the industry with regard to the electronic delivery of media content to cinemas via satellite. Over the last 12 months, Arqiva has set the bar for Digital Cinema Platforms, including dissemination of films, trailers and advertising to such clients as Dolby, Arts Alliance Media, Opus Arte (The Royal Opera House); Ciel Ecran (Bolshoi Ballet), The Metropolitan Opera, as well as major distributors and cinema chains.

NASA Building Network of Smart Cameras Across US

From Slashdot: NASA Building Network of Smart Cameras Across US
"A major government agency is looking to blanket the US with cameras that will never stop their surveillance. But don't worry, privacy pundits, those cameras will be spying on the sky, not civilians. NASA's All-sky Fireball Network is a series of cameras that track meteorites as they enter the atmosphere. With careful triangulation, NASA can not only know where the meteorites will land, they can determine where they came from as well. One of the coolest parts of the All-sky Fireball Network is that it's fully automated. Meteors are detected by a computer which sends images, video clips, and data analysis to William Cooke, head of NASA's Meteoroid Environment Office. Now you can get the same information as Cooke, too – the All-sky Fireball Network's website publicly records all the data for you to peruse."


 This sounds a lot like my SETINE idea, "Search for Extra-Terrestrial Intelligence Near Earth"

Time Warner Cable Launches iPad App With Live streaming TV

I always felt TV would be the Killer app for the iPad. I can see kids sitting in bed or doing  homework with their iPads blasting away with cartoons or music. 

The new app will play 30 basic cable channels in high definition to start, but that number should expand soon.

The app will be free to download on Tuesday morning, but it will only work for people who subscribe to both video and Internet service from the New York-based cable company. Even then, it only works in the home, when connected to the company's cable modem via a Wi-Fi router.
 
So they are never going over the Internet, just with the Time Warner Network.

Companies such as Netflix Inc. and Hulu Inc. already have apps that stream movies and TV shows to the iPad, bypassing, in some respects, cable companies. However, the apps don't show live TV.


From Slashdot:
"Time Warner Cable Inc. is launching an iPad application that plays live TV, becoming the first cable company to do so. The app will be free to download on Tuesday morning, but it will only work for people who subscribe to both video and Internet service from the New York-based cable company. Even then, it only works in the home, when the iPad is connected to the company's cable modem via a Wi-Fi router."

Top U.S. Online Video Content providers by videos viewed September 2010

Top U.S. Online Video Content providers by videos viewed
September 2010

SiteTotal Unique Viewers (000)Viewing Sessions (000)Minutes per Viewer
Google Sites144,1661,904,315260.4
Yahoo! Sites 54,356239,15431.5
Facebook52,174202,81318.5
Microsoft Sites45,490282,44940.6
Fox Interactive Media43,851240,03718.3
VEVO43,650208,44273.3
Viacom33,57072,09546.7
NBC Universal29,96162,31516.5
Hulu29,890145,070162.6
Turner Network27,19591,83625.4
Total Internet 174,6855,254,794863.7



from comScore Video Metrix

The effects of live video on society.

19-year-old Commits Suicide on Justin.tv
http://gigaom.com/video/19-year-old-commits-suicide-on-justintv/

I'd like to add more commentary and also some additional links, but I am not in the mood.

Are AT&T Download caps an attack against Internet Video?

I have measured Netflix and it's sending on average 2.4 Mbps of data while watching a movie, this is 300KB/s.

A 150 GB caps is 138 Hours of Netflix level of streaming video; Or 4.6 Hours of TV viewing per day.

With High definition content like 1080i HD which we can now stream over the Internet we would hit this cap faster.

For now it's probably reasonable to charge a little extra, at least it's a soft cap, rather then just cutting you off.

I think I prefer this to what Comcast is doing by trying to charge Netflix extra or there long history of slowing down connections.




From Wired: AT&T Puts Broadband Users on Monthly Allowance:

AT&T broadband users will soon face a cap on the amount of internet data they can download a month. Traditional DSL users will be capped at 150 GB per month, while subscribers to the fiber-backed UVerse system have a 250-GB limit. Usage over that will be charged at $10/month for 50 GB, the company says

So, how could a user end up hitting these caps? Streaming video such as HD movies from Netflix, using bit torrent to download movies and heavy gaming with services like Steam can easily eat up lots of data, especially in households with multiple heavy internet users.

From Engadget: AT&T will cap DSL and U-Verse internet, impose overage fees (update)

From Slashdot : AT&T To Introduce Broadband Caps

Saturday, March 12, 2011

Justin.tv's Live Video Broadcasting Architecture

Read Article:
Justin.tv's Live Video Broadcasting Architecture


Platform

  1. Twice - custom web caching system. (http://code.google.com/p/twicecache/)
  2. XFS - file system.
  3. HAProxy - software load balancing.
  4. The LVS stack and ldirectord - high availability.
  5. Ruby on Rails - application server
  6. Nginx - web server.
  7. PostgreSQL - database used for user and other meta data.
  8. MongoDB - used for their internal analytics tools.
  9. MemcachedDB - used for handling high write data like view counters.
  10. Syslog-ng - logging service.
  11. RabitMQ - used for job system.
  12. Puppet - used to build servers.
  13. Git - used for source code control.
  14. Wowza - Flash/H.264 video server, plus lots of custome modules written in Java.
  15. Usher - custom business logic server for playing video streams.
  16. S3 - small image storage.

The Stats

  1. 4 datacenters spread through out the country.
  2. At any given time there's close to 2,000 incoming streams.
  3. 30 hours per minute of video is added each day.
  4. 30 million unique visitors a month.
  5. Average live bandwidth is about 45 gigabits per second. Daily peak bandwidth at about 110 Gbps. Largest spike has been 500 Gbps.
  6. Approximately 200 video servers, based on commodity hardware, each capable of sending 1Gbps of video. Smaller than most CDNs yet larger than most video websites.
  7. About 100TB of archival storage is saved per week.
  8. The complete video path can't have more than 250 msecs of latency before viewers start losing the ability to converse and interact in real-time.

Thursday, March 10, 2011

The worlds smallest camera.

Microcamera for use on the tip of endoscopes
(Credit: Image courtesy of Fraunhofer-Gesellschaft)


At 1 Cubic MM and a resolution of 62,500 pixels this is possibly the smallest camera ever made.

Stephan Voltz, who is the CEO of Awaiba GmbH, says that "at 1.0 x 1.0 x 1.0 millimeters, this camera is as small as coarsely ground grain of salt -- the smallest camera that we are aware of."

The new microcamera was developed that the Fraunhofer Institute for Reliability and Microintegration (IZM) in Berlin, has developed together with Awaiba GmbH and with the support of the Fraunhofer Institute for Applied Optics and Precision Engineering IOF in Jena, Germany.

Read more:
Medical Microcamera the Size of a Grain of Salt Gives Razor-Sharp Images, Very Inexpensively

Saturday, March 05, 2011

Teardown of the Microsoft Kinect

Teardown of the Microsoft Kinect
EDN Editor Brian Dipert and iFixit CEO Kyle Wiens tear down and analyze the Microsoft Kinect at DesignCon 2011 in Santa Clara, Calif.

Tuesday, March 01, 2011

Boxee Scores $16.5M Investment

Video on the Internet takes another step forward.

From Slashdot 3/1/2011 : Boxee Scores $16.5M Investment
"Boxee, maker of the free Boxee multimedia-player software platform for PCs and Macs, and the smarts behind D-Link's recently introduced Boxee Box, has just received $16.5 million more funding. Following several significant firmware updates and the addition of new apps for Netflix, Hulu, Vudu, and other content sources, all pushed automatically out to users' devices, the $199 D-Link Boxee Box is finally stating to feel more like a finished product than a beta-test device. What's next for Boxee? The D-Link device will soon be joined by two more Boxee-powered devices: a Boxee NAS device from Iomega and a ViewSonic TV running Boxee, and one of the main uses of the company's new funding will be to "sign up more device and distribution partners," says Boxee CEO Avner Ronen."



From Slashdot 2/26/2011 : Boxee Box Matures; Another Look At the Platform
"Though D-Link actually started shipping the Boxee Box media player back in Q4 of last year, it was obvious that it needed a bit more polish to offer a reasonably satisfying experience. Since that time, Boxee has released a number of firmware and platform updates that enhance the device and bring new services, like full 1080p movie content from Vudu and what could be considered critical mass in mainstream movie rentals, Netflix. The Boxee Box has had time to mature and this full walk-through of the system shows it's actually an interesting alternative to competitive products in this class of device, like Apple TV, Google TV and Roku. There's still lots of work to be done in fleshing out services and content but the Boxee platform has a bit more polish behind it now."

Comcast has been trying to extort money from Netflix.

It seems that for a while now Comcast has been threatening to interfere with Netflix video traffic if they aren't paid an additional Fee. The FCC just wasn't doing anything to enforce Net Neutrality.

Comcast has a long history of abusing it's power as an ISP and the only Internet option available in many locations, consumers have little choice of service and are most completely unaware of the issues that have been taking place.

With selective Internet traffic disruption consumers are more likely to blame a site like Netflix rather then there local ISP that is actually causing the denial of services to it's own customers.

Comcast has a conflict of interest because they see Internet video as a direct threat to their cash cow, premium Cable TV channels, such as Showtime that is also available as VOD on Netflix.

With such a Showtime VOD over the net, Recording shows using a PVR just makes no sense as the shows are just available at any time to watch.

With the popularity of Internet video many people are leaving cable TV in favor of Internet only content.  This is similar to how many people also no longer have Land Line phone servers and only have Internet VOIP or Cell phones for making calls.

See some interesting articles below on this.



From Slashdot 3/1/2011 : Comcast-NBC Deal Accidentally Protects Internet?
"Details of the conditions that the Department of Justice required to approve Comcast's purchase of NBC have emerged today. Blogger Kevin Fogarty looks at the details — Comcast is forbidden from blocking Netflix over its pipes, and must sell NBC shows via iTunes and other similar services — and concludes that Internet access for everybody, including business users, has been protected, more or less by accident."

From DSLReports 2/18/2011: Will FCC Act On Level3 Comcast Dispute?
a request by the cable industry and AT&T that the FCC clarify their position on Comcast's financial dispute with Level3 -- which Level3 insists involves Comcast using their size to impose a new toll on Netflix traffic, but Comcast insists is just a run of the mill peering dispute. The truth is probably somewhere in the middle, but it's hard to for anyone to be certain given the agreement between Comcast and Level3 is confidential.


From DSLReports 11/29/2010 : Level3 Accuses Comcast Of Net Neutrality Violation
Level3 today accused Comcast of demanding an additional fee from Level3 to transmit Internet online movies and other content to Comcast customers. According to a Level3 press release, Comcast informed Level3 earlier this month that they'd be requiring the supposedly new recurring fee, which Level3 believes violates not only the FCC's policy statements on neutrality (which have shown to not be worth much on the enforcement front) and Comcast's previous proclaimed dedication to an open Internet.
 

Saturday, February 26, 2011

AMD Open Sources Their Linux Video API

 
AMD has open sourced X-Video Bitstream Acceleration, their API by which they expose the Universal Video Decoder 2 GPU under Linux.

Check it out at developer.amd.com with links to the XvBA documentation / header file. They have also setup an XvBA SourceForge page, 

Way before Kinect there was Pantomation in 1978

Pantomation was a very early tracking chromakey system from the 1970s. Originally intended for music scoring, the system was adapted to other styles of performance art. While crude by modern standards, the concept was decades ahead of its time; it can reasonably be considered an early forebear of systems like Microsoft's Project Natal.





On Slashdot: Kinect's Grandaddy Running On an Apple IIe In 1978
"30 years before words like performance capture, augmented reality, or avatars were around — let alone commonplace — experimental film and video artist Tom DeWitt created a system that features aspects of all of them. Pantomation let users interact in real-time with a digital environment and props. It was built using Apple IIe's, analog video gear, and lots of custom hacking and patching. He's currently working on a holographic 3D system that's similarly ahead of its time."

The Slashdot article title is incorrect.   Apple IIe didn't exist in 1978.  It was probably an Apple II (released in 1977). The Apple IIe wasn't released until 1983. 

The mini-computer they talk about in this video is the PDP-8/L

Read more:
Video History Project: Electronic Body Arts

Mark Cuban, on 3DTV

I find this really interesting. He's right. No one cared about 3D, where I would have thought Sports was the market for this.

The Most Interesting Thing About This Years Super Bowl

with out question is…… drum roll please…. 3D
the fact that no one asked if the game was being televised in 3D before hand.
No one talked about wanting to  watch in 3D
No one was upset that the game was not broadcast in 3D. There weren’t irate call ins to talk radio. In fact, I don’t think anyone realized that it wasn’t being broadcast in 3D because no one cared.
It was the same thing earlier in the season when the NBA did a game in 3D. Not a single person asked me about it. No one in the media brought it up. No one talked about watching it.  That is saying a lot.
The future of 3D is not sports. A bunch of guys are not going to spend a lot of money on glasses to look goofy sitting next to each other.  Nor will they sit on top of each other  to watch a non glasses 3D . (non glasses 3D requires viewing from right in front of the TV.)
That’s not to say that 3D doesn’t have a future on TV. 3D will work for things people tend to watch alone or with one other person. If you bought the 3D TV. If you bought the glasses . You probably bought just a pair for yourself. Maybe a significant other or child.  Noticing that a movie is on in 3D and grabbing the glasses, that could work. Noticing that a travel show is in 3D (say… Get Out from HDNet , now shooting in 3D) and grabbing your glasses works. Again, any show that you would typically watch by yourself, it’s no problem grabbing the glasses and chilling in front of the TV.  It’s a unique experience when you want something different. It can really make some shows a lot more interesting.
Having to buy a bunch of glasses for you and your buddies to watch the game…..too much risk that someone takes a picture of the group and posts it on Facebook. That shit lives forever…..

Internet Video vs Traditional TV battle

Here are some good articles from Mark Cuban's blog.

 

Tracking video projector.



Jon Howell came up system which projects his name his office door. The thing is, his office door slides on tracks so he made a projector that can follow the movement of that screen. He used a laser printer to make a black and white pattern that indexes the movement of the door using a quadrature encoder. When it senses door movement a servo motor rotates the projector to match the change in the door’s location. As you can see in the video after the break it works even if the door is moved quickly.